Recently I came across some Youtube videos about action films which prompted me to think about certain scenes that appeared in my own work, such as the is the dynamics between characters, their interactions and the meanings that are generated. A key scene I had written was really quite flat until I introduced another character and highlighted the urgency of the task set for my protagonist, and as I proceed through the redrafting, I come across pieces of narrative that need attention. For example, the reluctant kidnapper scene near the beginning of Part 2 was really nothing special, but with a little adjustment and some exploration of how he lost his job, the scene becomes tense (I hope).
I don’t want to spend too much time talking about this, but I think that the videos are in themselves quite interesting. I was particularly struck by how even the simplest cinematography can work so well to make the story clearer, more dynamic and give it more feeling.
By a strange co-incidence I had just been asked about the links between myth and cinema and having watched the video about the Terminator I was struck by what a great example it was of the principles that make up so many of the narrative structures of modern action movies. Having dug out the scraps of work about this that have accumulated I think that it might be possible for me to put a little book together about it. Terminator will certainly be a case study. To summarise it I would say that the core idea is that the central ideas revolve around Time, Marriage, Heroes (as saviours of fertile marriage and thus society) and something that seeks to destroy fertility and society (be it a robot, a shark or an alien). There is a lot more, but that’s for later.
Anyhew, these videos are worth checking out:
So there you have it. There’s plenty to think about in terms of narratives and especially the way that we convey tension, dynamics and meaning. To do it successfully, to do it with clarity, that’s one of the real arts of writing.